Ruavista en français

Ruavista em português

CONTACT

marc@ruavista.com

RECENT FEATURES

Exhibtions
Life at the Limits
Theo Hol

Magazine
Graphic City: Bogota

Photo Forum
Windows of San Diego
by Carmen Vega

Site of the Month
populardelujo -
encantadora grafica popular

Bibliography

Links

Correspondents

Newsletter


Homepage > Resources >>

BIBLIOGRAPHY

 

Street Graphics Street Photography Street Fashion
New York
Paris Rio de Janeiro São Paulo

Street Graphics

Page 1 Page 2

 

Sensacional! Mexican Street Graphics

Princeton Architectural Press, 2002

Juan Carlos Mena, Oscar Reyes

www.sensacional.com.mx

"Walk down any street in Mexico, and you'll be greeted by images of soccer stars, mariachi singers, space ships, taxis, tortas, tequila, or any one of the colorful posters that shopkeepers, advertisers, designers, and artists have put up throughout their cities and towns. Sensacional: Mexican Street Graphics is the definitive collection of these outrageous, vivid, exuberant, and downright beautiful images that so often define public space south of the border.
In contrast to the corporate efficiency of so much American signage, the images collected here depict a vibrant and experimental visual culture. Advertising everything from sex clubs, wrestling arenas, and restaurants to dentist's offices, auto-body shops, locksmiths, and shoe-repair stores, these images provide an inspiring monument to the craft of vernacular design, and are as much a part of the streetscape as the buildings they cover.

Following a foreword by renowned musician and artist David Byrne, and an introduction by design historian Steven Heller, Sensacional presents more than 300 full-color illustrations of Mexico's most animated street graphics."

.

Endcommercial - Reading the City

Hatje Cantz Publishers, 2002

Florian Bohm, Luca Pizzaroni, Wolfgang Scheppe

 


www.endcommercial.com

Between urban structures and individual existence, organic and improvised systems emerge. Situated beyond the sophisticated economy and below a level of recognition, they are familiar yet paradoxically invisible. The ordinariness of certain objects is so ubiquitous that they fail to evoke reflection: construction barriers, ads on buses, traffic signs, LCD displays, chained-up bicycles, the façades of stores, subway maps. Endcommerical / Reading the City conducts a visual research project of urban street territory, compiling signs, objects, and codes within grammatical relationships that unveil embedded social conditions and contradictions. Taking New York as a paradigmatic urban alphabet, Endcommercial / Reading the City orders a seemingly endless array of informal and empirical photographs, demonstrating the distinction between an unconscious visualization of singularities and an intelligent perception of generality. Initiated by the commercial, subject to fictionalization, it is a reference tool engaged in the thoughtful renewal of our visual vocabulary, opposed to the omnipresent iconography we process everyday.

 

 

Barcelona Grafica

Editorial Gustavo Gili SA, 2001

America Sanchez

 

 

" In producing this book, America Sanchez has photographed and arranged some 1835 examples of Barcelona urban graphic art: shop signs, door numbers, vignettes, allegories, emblems and pictograms which illustrate the uses of the city and make them legible. In so doing, Sanchez has rescued from anonimity a multitudinous cast of spontaneous graphic artists. With this, he has inaugurated a new field of study of everyday life. A superficial look will find nothing here but a collection of curiosities, products of popular inventiveness. The more attentive gaze, however, will discover a genuine graphic treasure."

 

 

 

Street Graphics: India

Thames and Hudson, 2001

Barry Dawson

 

"Nowhere is the visual cornucopia of street graphics more striking than in India, where a continuous gallery of images reflects the country's rich cultural diversity. From the Arabian Sea to the Indian Ocean, from the northern Himalayas to its southernmost tip, the subcontinent's overwhelming profusion of art and design excites the eyes. Street furniture, architecture, transport, billboards, posters, packaging, animals, and people are all used as the media of calculated design and spontaneous expression. Ancient or modern, permanent or transient, India's street art has evolved in a myriad of styles reflecting regional variation and concerns. Barry Dawson's photographs are not only a colorful journey through India's cities, towns, and villages, but also a graphic celebration of its creative street culture, an inspirational sourcebook of vibrant ideas for students and practitioners of art and design, as well as a lively visual record for visitors. 154 color photographs."

Street Graphics: Cuba

Thames and Hudson, 2001

Barry Dawson

 

"Much of today’s most exuberant, most creative and most telling imagery is all around us, in the street. Cuba has a unique place in these international street galleries. Its colonial past and its Revolution, invoked everywhere in utopian images, have created something vibrantly distinct.

Beyond the ideology, this is the venue to enjoy the nostalgia of the chrome trim and high tail fins of 1950s automobiles, the locale for Cohiba cigars, pre-Revolution enamel Coke signs, the ever-popular Bacardi rum and all the excitement of the Buena Vista Social Club."

Street Graphics: Tokyo

Thames and Hudson, 2002

Barry Dawson


"Tokyo's vibrant street graphics combine ancient tradition, twentieth-century mass production, and a twenty-first-century urban vision that is uniquely Japanese. A colorful clash of imagery renders the familiar strange and the strange bizarre. Cartoon characters can signify the police or pornography. Fashion statements are derived from diverse sources—ancient Egypt or even a hospital operating room. Slot machines vend erotica; pets and cops are robots; tempting dishes of sushi turn out to be inedible plastic representations. Ridley Scott's futuristic film Blade Runner was inspired by Tokyo's neon nightscape, where a fashionable department store doubles as a giant digital TV screen featuring lifesize dinosaurs in Godzilla's hometown. 150 color photographs."

Street Graphics: New York

Thames and Hudson, 2002

Barry Dawson

"New York is the world capital of street graphics – a creative kaleidoscope of signs, graffiti, murals and advertising. Its innovative ideas, styles and media quickly become international trends.

Street Graphics New York captures the city's cultural diversity – jazz age elegance, brash sixties Pop Art, hip-hop graffiti, anarchic stencil and sticker art.

New York's landmark's are appropriated for chic fashion advertising and and iconic tourist souvenirs, and here too is the city's 9/11 experience, up on the walls in emotionally charged imagery."

 

Street Graphics: Egypt

Thames and Hudson, available on 1st september 2003

Barry Dawson

 

Page 1 Page 2

Street Graphics Street Photography Street Fashion
New York
Paris Rio de Janeiro São Paulo

 



UP


Copyright 2003 Marc Voelckel

UpdatesPressSite MapWho and Why