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Paulinho: A arte do letreiro pintado

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Letreiros sob vidro de Paris, 1900

Homepage > Magazine >> Letreiros pintados do Paris 1900

 

Letreiros pintados do Paris 1900

In 1900, street décor was both more homogenous and more congested than it is today.
The abundance of signs and advertising messages were the consequence of poor management by public authorities in regulating the urban landscape.

The homogeneity of street graphic design can be explained by the fact that signs and advertising messages were not yet industrially produced. As a result, small shop owners often chose standard typography models offered by sign painters, in order to save money. In addition, materials like plastic, which allow for a large variety of forms and colors, did not exist at that time.

Standard Typography Signs

Shown in this 1865 photograph by Charles Marville, this typography, in vogue since the Second Empire, disappeared after World War I.

Food and Drink Store Signs

Wine and Liquor Stores

During this time period, these ubiquitous stores were identified by signs painted on an ochre background. Indeed, the sign painters tried to respect a color code (background and lettering) to make it easier to distinguish between different types of shops: ochre background for wine shops, blue background for groceries, for example.

Food Stores

"A. Charpentier - Marée Primeurs unreadable" Sea food store sign, located in the 'Les Halles' neighborhood, former central market of Paris.

 

 


Potatoes reseller signs

Services


Graveur


Sellerie

Mysterious Signs

Despite my efforts, I have not been able to decrypt these signs.


I could read "Bois" (wood) on this sign


"Gros et détail"


"Travail" (work)

 



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